BIO
I live and work in Montreal, where I earned an MFA in Studio Arts (Photography) from Concordia University in 2022. Before that, I spent 10 years developing a self-directed practice. My work, spanning photography and installation, has been shown in solo and group exhibitions across Canada, New York, Italy, Austria, and art fairs like VOLTA and Untitled Miami. Since 2018, I have completed several permanent public art commissions, including metalwork, concrete and glass sculptures, and large-scale photographic murals.
In 2021, I was longlisted for the New Generation Photography Award by the National Gallery of Canada. Other recent recognitions include fellowships and residencies at the British School at Rome, Banff Centre, NARS Foundation, Molinari Foundation, and the Yvonne Bombardier Foundation Award for emerging artists. My work is held in collections such as the National Gallery of Quebec, Scotia Bank, Desjardins, Google, Deloitte and Telus.
In 2024, I spent six months in residency at the NARS Foundation in Brooklyn, where I expanded my practice into painting. This marks a new direction I’m committed to pursuing in the coming years. My projects have received funding from the Conseil des arts et des lettres du Québec and the Canada Council for the Arts. Since 2014, I have been represented by Galerie Nicolas Robert in Montreal and Toronto.
Galerie Nicolas Robert, Canada
Statement / Démarche
My work explores light, perception, and the unseen forces shaping reality. My earlier works in photography and installation—where I used architecture and optical illusions to shift perception— have now evolved to painting, where I depict light and energy in a more personal and fluid way, allowing me to engage directly with color and pigment and to explore the vibratory nature of reality through forms. My compositions, inspired by sacred geometry and natural movement, reflect what I call the architecture of life—the invisible yet fundamental patterns that structure existence, from atomic arrangements to planetary motion.
My recent paintings are luminous and energetic, using the full spectrum of color to evoke light as a living force. Through layered brushstrokes that mimic woven matrices or shifting veils, I create optical effects that invite the viewer to move around the work, experiencing its vibratory essence. I want my paintings to be felt as much as they are seen—to create a sense of connection to something beyond the visible, to remind us that reality is more fluid and expansive than we often perceive.
Thanks / Remerciements
Conseil des arts du Canada, Conseil des arts et des lettres du Québec, Conseil des arts de Longueuil, La Fondation J. Armand Bombardier, La Délégation du Québec à Rome, La Délégation du Québec à New York, Le Ministère de la culture et des communications du Québec.
Stove Works, NARS Foundation, Re-Sited, The Invisible Dog Art Center, Art Money, British School at Rome, Fondation Molinari, Banff Center, Galerie Nicolas Robert, Musée National des Beaux-Arts du Québec, Manif d’Art, Optica, Centre Clark, Centre Vu, Circa art actuel, Centre Diagonale, Centre d'exposition Plein sud, Centre Action Art Actuel, Kunstsammlung des Landes OÖ, Théâtre Espace Go, Centre Sagamie, Atelier M. Séguin, PhotoSynthèse, Robocut, Post-Image Lab (Hexagram-Concordia)
Le Devoir, La Gazette, Espace art actuel, Esse art + opinions, Vie des Arts, Le Sabord, Plein Sud éditions