“ Once inside, viewers are treated to a provoking distortion of space. Inlaying roughly two hundred panels of hand-cut mirror into various sections of the Glass House’s exoskeleton, Cloutier generates a series of new reflective surfaces in relationship to pre-existing transparent ones. In doing so, In-Between subtly transports an unsuspecting incidental audience into another architectural dimension.”
- Didier Morelli
Read more: http://esse.ca/fr/caroline-cloutier-invisible-dog-art-center-new-york